Moonlit Mozart with Les Delices
Selections from The Magic Flute – Wolfgang Amadeus Mozart, arr. Joseph Heidenreich
Overture
“Der Vogelfänger bin Ich ja”
“Dies Bildnis ist bezaubernd schön”
“Du feines Täubchen nur herein”
Adagio from Serenade in Eb, KV 375 – Mozart
Selections from Don Giovanni – Mozart, arr. Josef Triebensee
Ouvertura
“Notte e Giorno a faticar”
“Là ci darem la mano”
“Gia la mensa è preparata”
Serenade in C minor, KV 388 – Mozart
I. Allegro
II. Andante
III. Menuetto in canone
IV. Allegro – theme and variations
Harmonie in Columbus
Selections from The Magic Flute – Wolfgang Amadeus Mozart, arr. Joseph Heidenreich
Overture
“Der Vogelfänger bin Ich ja”
“Dies Bildnis ist bezaubernd schön”
“Du feines Täubchen nur herein”
Adagio from Serenade in Eb, KV 375 – Mozart
Selections from Don Giovanni – Mozart, arr. Josef Triebensee
Ouvertura
“Notte e Giorno a faticar”
“Là ci darem la mano”
“Gia la mensa è preparata”
Serenade in C minor, KV 388 – Mozart
I. Allegro
II. Andante
III. Menuetto in canone
IV. Allegro – theme and variations
Moonlit Mozart in Cleveland Heights
Selections from The Magic Flute – Wolfgang Amadeus Mozart, arr. Joseph Heidenreich
Overture
“Der Vogelfänger bin Ich ja”
“Dies Bildnis ist bezaubernd schön”
“Du feines Täubchen nur herein”
Adagio from Serenade in Eb, KV 375 – Mozart
Selections from Don Giovanni – Mozart, arr. Josef Triebensee
Ouvertura
“Notte e Giorno a faticar”
“Là ci darem la mano”
“Gia la mensa è preparata”
Serenade in C minor, KV 388 – Mozart
I. Allegro
II. Andante
III. Menuetto in canone
IV. Allegro – theme and variations
Moonlit Mozart in Rocky River
Selections from The Magic Flute – Wolfgang Amadeus Mozart, arr. Joseph Heidenreich
Overture
“Der Vogelfänger bin Ich ja”
“Dies Bildnis ist bezaubernd schön”
“Du feines Täubchen nur herein”
Adagio from Serenade in Eb, KV 375 – Mozart
Selections from Don Giovanni – Mozart, arr. Josef Triebensee
Ouvertura
“Notte e Giorno a faticar”
“Là ci darem la mano”
“Gia la mensa è preparata”
Serenade in C minor, KV 388 – Mozart
I. Allegro
II. Andante
III. Menuetto in canone
IV. Allegro – theme and variations
Smithsonian Academy Orchestra
The newly-established Smithsonian Academy Orchestra brings together top young early music professionals for a week of exploration of late eighteenth and early nineteenth century repertoire, using period instruments and tuning. Under the direction of School of Music Strings Literature Lecturer Kenneth Slowik, performers delve into classical performance practice and attend lectures by esteemed musicologists, deepening their understanding of the repertoire's historical context.
As a part of its inaugural project, the Academy Orchestra performs works by Haydn and Beethoven. The 33-piece ensemble mirrors the size of the ensemble that premiered Beethoven's Fourth Symphony, providing audience members a similar experience to those who witnessed its first performance in 1807. In addition to its performance at UMD, the Academy Orchestra will be performing at Cornell University, the Pennsylvania State University and the Smithsonian Institution.
Smithsonian Academy Orchestra
The newly-established Smithsonian Academy Orchestra brings together top young early music professionals for a week of exploration of late eighteenth and early nineteenth century repertoire, using period instruments and tuning. Under the direction of School of Music Strings Literature Lecturer Kenneth Slowik, performers delve into classical performance practice and attend lectures by esteemed musicologists, deepening their understanding of the repertoire's historical context.
As a part of its inaugural project, the Academy Orchestra performs works by Haydn and Beethoven. The 33-piece ensemble mirrors the size of the ensemble that premiered Beethoven's Fourth Symphony, providing audience members a similar experience to those who witnessed its first performance in 1807. In addition to its performance at UMD, the Academy Orchestra will be performing at Cornell University, the Pennsylvania State University and the Smithsonian Institution.
Smithsonian Academy Orchestra
The newly-established Smithsonian Academy Orchestra brings together top young early music professionals for a week of exploration of late eighteenth and early nineteenth century repertoire, using period instruments and tuning. Under the direction of School of Music Strings Literature Lecturer Kenneth Slowik, performers delve into classical performance practice and attend lectures by esteemed musicologists, deepening their understanding of the repertoire's historical context.
As a part of its inaugural project, the Academy Orchestra performs works by Haydn and Beethoven. The 33-piece ensemble mirrors the size of the ensemble that premiered Beethoven's Fourth Symphony, providing audience members a similar experience to those who witnessed its first performance in 1807. In addition to its performance at UMD, the Academy Orchestra will be performing at Cornell University, the Pennsylvania State University and the Smithsonian Institution.
Smithsonian Academy Orchestra
The newly-established Smithsonian Academy Orchestra brings together top young early music professionals for a week of exploration of late eighteenth and early nineteenth century repertoire, using period instruments and tuning. Under the direction of School of Music Strings Literature Lecturer Kenneth Slowik, performers delve into classical performance practice and attend lectures by esteemed musicologists, deepening their understanding of the repertoire's historical context.
As a part of its inaugural project, the Academy Orchestra performs works by Haydn and Beethoven. The 33-piece ensemble mirrors the size of the ensemble that premiered Beethoven's Fourth Symphony, providing audience members a similar experience to those who witnessed its first performance in 1807. In addition to its performance at UMD, the Academy Orchestra will be performing at Cornell University, the Pennsylvania State University and the Smithsonian Institution.
Anna di Resburgo with Teatro Nuovo
A modern restoration of a forgotten milestone: Carolina Uccelli’s Anna di Resburgo (Anne of Roxburgh)
Carolina Uccelli was the only female composer to reach the stage of a major Italian theater in romantic-era Italy.
Anna - Chelsea Lehnea
Edemondo - Santiago Ballerini
Norcesto - Ricardo José Rivera
Olfredo - Lucas Levy
Etelia - Elisse Albian
Teatro Nuovo Orchestra and Chorus
Elisa Citterio, primo violino e capo d’orchestra
Lucy Tucker Yates, maestro al cembalo
For more information, please click here
Anna di Resburgo with Teatro Nuovo
A modern restoration of a forgotten milestone: Carolina Uccelli’s Anna di Resburgo (Anne of Roxburgh)
Carolina Uccelli was the only female composer to reach the stage of a major Italian theater in romantic-era Italy.
Anna - Chelsea Lehnea
Edemondo - Santiago Ballerini
Norcesto - Ricardo José Rivera
Olfredo - Lucas Levy
Etelia - Elisse Albian
Teatro Nuovo Orchestra and Chorus
Elisa Citterio, primo violino e capo d’orchestra
Lucy Tucker Yates, maestro al cembalo
For more information, please click here
Supper and Songs - La Grande Bande
La Grande Bande’s 5th Anniversary Season concludes with our much-beloved “Dine Out” concert experience. On the program are cantatas and concertos by some of the most famous composers of the late-Baroque.
Two cantatas by congratulate a new tax official (Bach) and celebrate the joy of a great night’s sleep (Handel). Filling out the evening are concertos featuring the virtuosos of La Grande Bande.
We hope you join us for a special evening of delicious food, great songs, and the continuation of a beloved tradition.
Supper and Songs - La Grande Bande
La Grande Bande’s 5th Anniversary Season concludes with our much-beloved “Dine Out” concert experience. On the program are cantatas and concertos by some of the most famous composers of the late-Baroque.
Two cantatas by congratulate a new tax official (Bach) and celebrate the joy of a great night’s sleep (Handel). Filling out the evening are concertos featuring the virtuosos of La Grande Bande.
We hope you join us for a special evening of delicious food, great songs, and the continuation of a beloved tradition.
Brahms and Schumann with Mercury Chamber Orchestra (Copy)
Schumann’s first symphony is brimming with romantic-era lushness – a lyrical jubilance that captures the excitement and anticipation of Spring after a long, dark Winter. Brahms’ Fourth Symphony has become one of this master’s most legendary works and classical music’s greatest masterpieces – a powerful final symphonic statement that is a treat to experience live.
Brandenburg Concertos with Handel and Haydn Society (Copy) (Copy)
Revel in the splendor of J.S. Bach’s complete Brandenburg Concertos, the best of the Baroque. From the clarion call of the trumpet in No. 2 to the tour de force harpsichord solo in No. 5, there’s always something new to discover in this much-loved collection. H+H’s endlessly dynamic concertmaster Aisslinn Nosky joins principal keyboard Ian Watson to co-pilot the ensemble from within. This is historically informed performance at its finest: masterfully performed and passionately shared.
Brandenburg Concertos with Handel and Haydn Society (Copy)
Revel in the splendor of J.S. Bach’s complete Brandenburg Concertos, the best of the Baroque. From the clarion call of the trumpet in No. 2 to the tour de force harpsichord solo in No. 5, there’s always something new to discover in this much-loved collection. H+H’s endlessly dynamic concertmaster Aisslinn Nosky joins principal keyboard Ian Watson to co-pilot the ensemble from within. This is historically informed performance at its finest: masterfully performed and passionately shared.
Brandenburg Concertos with Handel and Haydn Society
Revel in the splendor of J.S. Bach’s complete Brandenburg Concertos, the best of the Baroque. From the clarion call of the trumpet in No. 2 to the tour de force harpsichord solo in No. 5, there’s always something new to discover in this much-loved collection. H+H’s endlessly dynamic concertmaster Aisslinn Nosky joins principal keyboard Ian Watson to co-pilot the ensemble from within. This is historically informed performance at its finest: masterfully performed and passionately shared.
Don Giovanni with Boston Baroque
Boston Baroque returns to Mozart’s seminal opera, Don Giovanni, with a new production starring Sidney Outlaw in the titular role. The world-renown cast features the return of Susanna Phillips to the Boston Baroque stage, company debuts for Patrick Carfizzi and Michelle Bradley, and a role debut for Sidney Outlaw. Boston Baroque will perform the original Prague version of Mozart’s opera, 38 years after performing the American period instrument premiere of the work in 1986.
Sidney Outlaw - Don Giovanni (Role debut)
Patrick Carfizzi - Leporello (Boston Baroque debut)
Susanna Phillips - Donna Anna
Michelle Bradley - Donna Elvira (Boston Baroque debut)
Maya Kherani - Zerlina
David McFerrin - Masetto
Nicholas Phan - Don Ottavio
Kevin Deas - Commendatore
For more information, please click here
Don Giovanni with Boston Baroque
Boston Baroque returns to Mozart’s seminal opera, Don Giovanni, with a new production starring Sidney Outlaw in the titular role. The world-renown cast features the return of Susanna Phillips to the Boston Baroque stage, company debuts for Patrick Carfizzi and Michelle Bradley, and a role debut for Sidney Outlaw. Boston Baroque will perform the original Prague version of Mozart’s opera, 38 years after performing the American period instrument premiere of the work in 1986.
Sidney Outlaw - Don Giovanni (Role debut)
Patrick Carfizzi - Leporello (Boston Baroque debut)
Susanna Phillips - Donna Anna
Michelle Bradley - Donna Elvira (Boston Baroque debut)
Maya Kherani - Zerlina
David McFerrin - Masetto
Nicholas Phan - Don Ottavio
Kevin Deas - Commendatore
This performance will be streamed live on IDAGIO and available on-demand for 30 days.
For more information, please click here
Don Giovanni with Boston Baroque
Boston Baroque returns to Mozart’s seminal opera, Don Giovanni, with a new production starring Sidney Outlaw in the titular role. The world-renown cast features the return of Susanna Phillips to the Boston Baroque stage, company debuts for Patrick Carfizzi and Michelle Bradley, and a role debut for Sidney Outlaw. Boston Baroque will perform the original Prague version of Mozart’s opera, 38 years after performing the American period instrument premiere of the work in 1986.
Sidney Outlaw - Don Giovanni (Role debut)
Patrick Carfizzi - Leporello (Boston Baroque debut)
Susanna Phillips - Donna Anna
Michelle Bradley - Donna Elvira (Boston Baroque debut)
Maya Kherani - Zerlina
David McFerrin - Masetto
Nicholas Phan - Don Ottavio
Kevin Deas - Commendatore
For more information, please click here
Brahms Ein deutsches Requiem with Handel and Haydn Society
Johannes Brahms
Begräbnisgesang
Ein deutsches Requiem
Bernard Labadie, Conductor
Soloists TBA
Handel and Haydn Orchestra and Chorus
Click Here for more information
Brahms Ein deutsches Requiem with Handel and Haydn Society
Johannes Brahms
Begräbnisgesang
Ein deutsches Requiem
Bernard Labadie, Conductor
Soloists TBA
Handel and Haydn Orchestra and Chorus
Click Here for more information
Ein Deutsches Requiem with Monmouth Civic Chorus
To celebrate our Sparkling 75th Anniversary, Monmouth Civic Chorus returns to Red Bank’s historic Count Basie Center for the Arts for a very special second performance this season. We’ll pair Brahms’s exquisite German Requiem with the world premiere of a work we’ve commissioned from our very own Artistic Director Dr. Ryan James Brandau to mark the occasion.
The chorus is joined by elite professional orchestra for this pair of soul-stirring works. This is your chance to join the worldwide community of Requiem devotees and experience a moment of brand-new beauty all at once.
For more information, please click here
Beethoven's Symphony No. 9 in D Minor, Op. 125 with Handel and Haydn Society
“Be embraced, you millions!” Let the “divine spark” of joy catch fire in this iconic celebration of life. Guest conductor Raphaël Pichon, the maestro behind last season’s blockbuster Marriage of Figaro, delivers a fervently fresh take on this magnum opus in honor of its bicentennial. And it’s no surprise that our beloved chorus and orchestra tackle this uplifting music with both compassion and conviction.
Beethoven's Symphony No. 9 in D Minor, Op. 125 with Handel and Haydn Society
“Be embraced, you millions!” Let the “divine spark” of joy catch fire in this iconic celebration of life. Guest conductor Raphaël Pichon, the maestro behind last season’s blockbuster Marriage of Figaro, delivers a fervently fresh take on this magnum opus in honor of its bicentennial. And it’s no surprise that our beloved chorus and orchestra tackle this uplifting music with both compassion and conviction.
Carmina Burana with The New Jersey Symphony
Xian Zhang conductor
Andrew Adelson oboe d’amore
Jana McIntyre soprano
Barry Banks tenor
Hugh Russell baritone
Montclair State University Chorale | Heather J. Buchanan, director
New Jersey Symphony
Kodály Dances of Galánta
Kodály’s love for his native Hungary is evident in this sparkling and tuneful dance suite, inspired by the folk songs he heard in the small market town where he spent part of his childhood.
J.S. Bach Oboe d'Amore Concerto
Your first time to hear the oboe d’amore? This duskier cousin of the modern oboe has a soulful, sweet sound that Bach adored and placed at the center of this piece of reverence and reflection.
Orff Carmina Burana
Medieval monks had more on their minds than scripture–women, beer and the ever-turning wheel of fate most prominent. Orff set their words to dramatically colorful music in his iconic Carmina Burana.
Carmina Burana with The New Jersey Symphony
Xian Zhang conductor
Andrew Adelson oboe d’amore
Jana McIntyre soprano
Barry Banks tenor
Hugh Russell baritone
Montclair State University Chorale | Heather J. Buchanan, director
New Jersey Symphony
Kodály Dances of Galánta
Kodály’s love for his native Hungary is evident in this sparkling and tuneful dance suite, inspired by the folk songs he heard in the small market town where he spent part of his childhood.
J.S. Bach Oboe d'Amore Concerto
Your first time to hear the oboe d’amore? This duskier cousin of the modern oboe has a soulful, sweet sound that Bach adored and placed at the center of this piece of reverence and reflection.
Orff Carmina Burana
Medieval monks had more on their minds than scripture–women, beer and the ever-turning wheel of fate most prominent. Orff set their words to dramatically colorful music in his iconic Carmina Burana.
Haydn and Mozart with Harry Christophers
Harry Christophers returns to H+H in his first appearance as Conductor Laureate, with the music he does best. Following a smile-inducing Haydn symphony, the spotlight falls on the renowned H+H Chorus for two of Mozart’s great masterworks. Then, Harry adds a special treat: haunting, sublime a cappella choral gems from two women composers, Hildegard von Bingen (1098–1179) and Raphaella Aleotti (1575–1646).
Haydn and Mozart with Harry Christophers
Harry Christophers returns to H+H in his first appearance as Conductor Laureate, with the music he does best. Following a smile-inducing Haydn symphony, the spotlight falls on the renowned H+H Chorus for two of Mozart’s great masterworks. Then, Harry adds a special treat: haunting, sublime a cappella choral gems from two women composers, Hildegard von Bingen (1098–1179) and Raphaella Aleotti (1575–1646).
Handel's Water Music with Upper Valley Baroque
This upbeat orchestral program features Handel’s beloved and regal Water Music, a group of suites first performed on a barge in the Thames River in 1717 to welcome King George to England. It is paired with three short Handel works featuring small ensembles and outstanding UVB soloists.
Handel's Water Music with Upper Valley Baroque
This upbeat orchestral program features Handel’s beloved and regal Water Music, a group of suites first performed on a barge in the Thames River in 1717 to welcome King George to England. It is paired with three short Handel works featuring small ensembles and outstanding UVB soloists.
Sarasota Orchestra Masterworks Series: "Titans"
Wolfgang Amadeus Mozart - Overture to The Marriage of Figaro
Kevin Puts - Marimba Concerto
Ji Su Jung, Marimba
Gustav Mahler - Symphony No. 1 in D major
Led by Giancarlo Guerrero, Music Director of the Nashville Symphony, this unforgettable program opens with Mozart’s Overture to The Marriage of Figaro. Mahler’s Symphony No. 1 is one of classical music’s most powerful symphonic experiences. Dramatic, folklike, and rollicking, the “Titan” blazes all the way through to its breathtaking close. GRAMMY and Pulitzer Prize-winning composer Kevin Puts drew on the genius of Mozart when crafting his impressive Marimba Concerto. The marimba, rarely seen as a solo instrument with orchestra, and Ji Su Jung’s riveting performance style create a fascinating combination.
For more information, please click here
Sarasota Orchestra Masterworks Series: "Titans"
Wolfgang Amadeus Mozart - Overture to The Marriage of Figaro
Kevin Puts - Marimba Concerto
Ji Su Jung, Marimba
Gustav Mahler - Symphony No. 1 in D major
Led by Giancarlo Guerrero, Music Director of the Nashville Symphony, this unforgettable program opens with Mozart’s Overture to The Marriage of Figaro. Mahler’s Symphony No. 1 is one of classical music’s most powerful symphonic experiences. Dramatic, folklike, and rollicking, the “Titan” blazes all the way through to its breathtaking close. GRAMMY and Pulitzer Prize-winning composer Kevin Puts drew on the genius of Mozart when crafting his impressive Marimba Concerto. The marimba, rarely seen as a solo instrument with orchestra, and Ji Su Jung’s riveting performance style create a fascinating combination.
For more information, please click here
Sarasota Orchestra Masterworks Series: "Titans"
Wolfgang Amadeus Mozart - Overture to The Marriage of Figaro
Kevin Puts - Marimba Concerto
Ji Su Jung, Marimba
Gustav Mahler - Symphony No. 1 in D major
Led by Giancarlo Guerrero, Music Director of the Nashville Symphony, this unforgettable program opens with Mozart’s Overture to The Marriage of Figaro. Mahler’s Symphony No. 1 is one of classical music’s most powerful symphonic experiences. Dramatic, folklike, and rollicking, the “Titan” blazes all the way through to its breathtaking close. GRAMMY and Pulitzer Prize-winning composer Kevin Puts drew on the genius of Mozart when crafting his impressive Marimba Concerto. The marimba, rarely seen as a solo instrument with orchestra, and Ji Su Jung’s riveting performance style create a fascinating combination.
For more information, please click here
Oklahoma Bach Choir - Leipzig 300: Epiphany Cantatas
Program:
Sie werden aus Saba alle kommen, BWV 65
Ich habe genug, BWV 82
Wie schön leuchtet der Morgenstern, BWV 1
Joseph Arndt, conductor
Edson Sheid, concertmaster
Meray Boustani, soprano
Nicholas Garza, countertenor
Steven Soph, tenor
Edmund Milly, bass
Orchestra of period instruments, including horns, oboes, recorders, and strings.
Sponsored by Kay and Tom Owens.
Admission is free and open to the public.
Beethoven and Mussorgsky featuring Augustin Hadelich
Xian Zhang, conductor
Augustin Hadelich, violin
New Jersey Symphony
Program:
Daniel Bernard Roumain - I am a white person who _______ Black people
Ludwig van Beethoven - Violin Concerto in D major, Op. 61
Mussorgsky/Ravel - Pictures at an Exhibition
For more information, please click here
Beethoven and Mussorgsky featuring Augustin Hadelich
Xian Zhang, conductor
Augustin Hadelich, violin
New Jersey Symphony
Program:
Daniel Bernard Roumain - I am a white person who _______ Black people
Ludwig van Beethoven - Violin Concerto in D major, Op. 61
Mussorgsky/Ravel - Pictures at an Exhibition
For more information, please click here
Beethoven and Mussorgsky featuring Augustin Hadelich
Xian Zhang, conductor
Augustin Hadelich, violin
New Jersey Symphony
Program:
Daniel Bernard Roumain - I am a white person who ____ Black People
Ludwig Van Beethoven - Violin Concerto in D major, Op. 61
Mussorgsky/Ravel - Pictures at an Exhibiton
J.S. Bach's Christmas Oratorio with Bach Society Houston
The Bach Choir and Orchestra finish what they started last season, presenting Parts 4–6 of the Christmas Oratorio